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Showing posts with label Hrithik Roshan. Show all posts
Showing posts with label Hrithik Roshan. Show all posts

June 6, 2010

The Reluctant Hero - Hrithik Roshan

Something in him has changed. In place of the jovial boy is a dark brooding man. But Hrithik Roshan continues to see life as a beautiful journey. 
 

He reached for it like a desperate man, clutching at straws. That was Hrithik Roshan’s reaction when he first heard the script of Kites. “I jumped at it, on my crutches,” he says. For five dark months in 2008, Hrithik grappled with crippling knee pain. On long, sleepless nights, the 36-year-old brooded over whether he should quit acting. “Science had given up on my knee. I was heartbroken. Kites pulled me up.”

Hrithik’s labour of love, Kites, released on 21 May to lukewarm reviews and mixed audiences. On public forums like Twitter and Facebook, viewers ranted against the film’s haphazard execution. On the Friday it opened, the star defended his film on Twitter, posting, ‘To all the people who didn’t like Kites n stated that with honesty n love—I’m PROUD to have u as my fans.’ Hrithik also sent ‘understanding’ to those who hated the movie with a vengeance.

The star was quoted saying that if he couldn’t “dance or jump around”, he didn’t want to be an actor. Surely there is more to acting than that? “Yes,” he says, “In fact, I’m playing a paralysed man in Guzaarish (directed by Sanjay Leela Bhansali). I don’t think you get the scope of my knee problem. I couldn’t get up from my chair without the help of my hands. How could I look like a fit, strong character? I would have had to compromise on the spirit of my roles, even my walk. I didn’t want to act if I didn’t have the spirit.”

Hrithik Roshan has always been passionate about acting. There have been no walk-on parts for the sake of friendship. After his first brush with stardom, he hasn’t signed films in a frenzy just to prove something to his audience. As a film journalist, you interview Shah Rukh Khan and Salman Khan perhaps twice a year. Akshay Kumar does five movies a year and that much pre-publicity. The last three Christmas seasons, there have been journalists at Aamir Khan’s door.

Hrithik, in comparison, has had nearly two-year gaps between his films (he has done only 15 in the lead role since Kaho Naa Pyaar Hai in 2000, and the figure would have been much smaller if it were not for the blitz that followed his extraordinary debut). Meanwhile, Ranbir Kapoor has caught on Hrithik’s heels. At the time of filing this story, Hrithik has about 224,000 followers on Twitter, somewhat modest by the standards of his contemporaries. And there are regular complaints that he does not tweet enough.

Is Hrithik a reluctant superstar? “Superstardom is a waste of time,” he says, “There’s no truth in that. When your ego fills up, your creativity is switched off. I follow my instincts and look at where it’s got me.”

In 2008, before the release of Jodhaa Akbar, when we met at his Juhu home, he wore a sunny attitude. He was just back from shooting a commercial in Goa. At the time of Krrish in 2006, he gamely joked about being a superhero while a grey Persian cat walked gingerly around us. This interview, though, is going to be different.

I’m ushered into a room with an overpowering painting of his wife Sussanne and him, his green eyes staring at you from the frame. ‘Baba’ has gone for a haircut, say his staff. Hrithik eventually walks in wearing a black T-shirt. The mood is somewhat sombre.

He has been a subject of intense speculations—an affair with Kites co-star Barbara Mori, Sussanne walking out on him, a fall-out with his father that caused him to leave home, wild partying, alcohol, drugs, his disapproval of his sister Sunaina’s remarrying. Didn’t it worry him, the damage such rumours could do to his image? After all, he perhaps has the largest fan base among children in the country. “In fact, this is the best lesson I could teach children—don’t react. Live with dignity. Don’t get provoked. After all, on a macro level, it’s things like these that cause wars.”

Hrithik says the drugs and partying allegations stuck to him because of the wild, dishevelled appearance he cultivated for Guzaarish. His hair was a crazy, unruly mop, his face hidden behind a beard. Does he miss that look? It’s a teasing question, looking for some humour in a guy who once sportingly showed a flash of his secret buzz cut (for Lakshya) from beneath a baseball cap. But this Hrithik is more serious, he doesn’t take the bait. “I miss every character. I feel lost that I may never meet that guy again. For seven months, I looked through the eyes of a dying man. Nothing matters. There’s so much pain and suffering; you have to spread love.”

Hrithik knows pain. His sister Sunaina fought a protracted battle with cancer and has said that her younger brother helped her pull through. His knee problem has persisted for a few years. “One day, the 20,000 remedies I’d tried converged on my knee. It’s like God felt I’d paid my price,” he says with a smile. Can he play with his kids now—four-year-old Hrehaan and two-year-old Hridhaan? “I have to warm up my knee; then I can play Spiderman. I have my hands full. Two boys can do a lot of damage. But they have such pure energy; they connect to the child in me.”

As a boy, Hrithik was extremely shy. There is an incident that his uncle and music composer Rajesh Roshan told a film magazine. Back in 1979, Amitabh Bachchan was in a studio to record the song Mere paas aao for the film Mr Natwarlal when his eyes fell on five-year-old Hrithik in the chorus. “What an angelic child,” Bachchan is said to have commented in his baritone, walking up to the boy. “I got so frightened, I ran all the way home,” says Hrithik grinning.

He had an uneven childhood. A film industry child, he attended birthday parties with Farhan Akhtar, Karan Johar and Uday Chopra, went to school in the same car as Abhishek Bachchan and stood in as Ranbir Kapoor’s babysitter. “Ranbir’s peed on me,” he had once told me, laughing, “Our parents went on holiday together and I used to carry him around. He used to cry a lot.”

But with his father’s patchy career, Hrithik also saw failure from very close. So he knows the value of striving. As a terribly shy child with a stammer, he practised his speech in front of a mirror. When he wanted to develop a physique, he took tips from Salman and worked hard on the goal. He assisted his dad on Karan Arjun and Koyla. It set the base for one of the most enduring friendships between any two A-list stars—Shah Rukh Khan and Hrithik. In a recent interview, Shah Rukh introspected over how he never felt as insecure as he did when Hrithik became a sensation with Kaho Naa Pyaar Hai. Hrithik says, “There was no reason for the insecurity. Shah Rukh was vulnerable then and people were rude and disrespectful to a man who had entertained us for ten years before I came on. Things didn’t change inside me. I couldn’t stop liking my best friend. Now we can laugh about that.”

With Kites, he believes he is poised for a turn in his career, ready for big risks. The film’s US version has been edited by director Brett Ratner (Rush Hour series, X-Men: The Last Stand). There is Hollywood buzz around Hrithik after reviews like that of The New York Times film critic Jeannette Catsoulis, who wrote, ‘Mr. Roshan requires viewing uncut: writhing on the dance floor or just gazing into space, the man was made to drive women crazy, one movie at a time.’ Back home, as Rakesh Roshan works on the sequel to Krrish, Hrithik is shooting Zoya Akhtar’s road movie Zindagi Milegi Na Dobara with Farhan and Abhay Deol, and he has Guzaarish lined up for release later this year. Also, he is a prospect in Shekhar Kapur’s futuristic water politics story Paani. “I was supposed to be launched by Shekhar 12 years ago in Ta Ra Rum Pum with Preity (Zinta),” he says. Last year, Hrithik made the unusual choice of playing the role of the narcissistic, opportunistic star Zaffar Khan in Luck By Chance. “People asked me why I wanted to do this negative character. I’m an actor. You have to be negative sometimes,” he says.

The actor describes himself as naïve, a dreamer. A man whom fame cannot change. “I hear the roars and shrieks when I go on stage to perform, but I can’t fill my ego up with that. I see it as a pat on my back and I move on.”

May 29, 2010

Kites The Remix - review




Prior to watching Kites: The Remix, I'd never seen a proper Bollywood movie, and in the interest of full disclosure I should acknowledge I've never studied their films or the industry at large in any significant way. But it is nevertheless hard not to judge the taste of audiences who apparently made the film a massive success in its native India. Because even whittled down and refined by Brett Ratner, who edited out the music sequences and beefed up the drama with a new, western score, the tropes used to bring to life this tale of lovers on the run are too worn out – or just poorly executed – to make this more than a straight-to-video tale that somehow mysteriously managed to find its way to the silver screen.

The film stars Hrithik Roshan as J, a Vegas dance instructor and hustler who creates a cottage industry for himself marrying illegal immigrants so they can get their green cards. Managing somehow to seduce the daughter of an affluent casino owner, J prepares for his first "real" marriage, which will allow him to discard his checkered past forever. But when his fiancee's brother Tony (Nicholas Brown) announces his own marriage to J's eleventh wife, Natasha (Barbara Mori), J worries that their shared history will ruin both of their plans. While reaching out to Natasha to figure out what to do, J begins to realize he has real feelings for her; but when Tony catches them together, J and Natasha take off together on a cross-country adventure that forces them to fight not only for their love, but for their very lives.


For a 90-minute movie about forbidden romance, Kites has an absurdly complicated story structure, featuring an elliptical narrative, dual flashbacks, and even flashbacks inside of other flashbacks. But there is literally nothing sophisticated about it at all, including J and Natasha, whose chemistry is an embodiment of the Annie Hall conversation between Alvy Singer and a couple that is happy precisely because both parties are "very shallow and empty and has no ideas and nothing to say." While the film itself clearly has no understanding of the legalities of marriage, allowing J to wed multiple women without divorcing any of the previous ones, he and Natasha are exceedingly stupid: in a scene in which they attempt to divorce one another so they can marry their respective fiancées, the two of them agree verbally that they are divorced, and I am pretty sure they both believe that is a legally-binding contract.

Ironically, the musical numbers are probably the sort of thing that could redeem such a cliché-laden story as this, but Ratner removed that Bollywood trademark in favor of an overall shorter and more streamlined film. That said, I can't imagine sitting through a version that would run one second longer than this one. Even the action scenes, which dexterously replicate the energy (not to mention cinematography) of Western car chases and shootouts, go on longer than they should, suggesting that the original filmmakers didn't have the forethought to focus on anything at all, but still paid attention to everything way too much. If it tells you anything, Kites looks as if it were sponsored by a combination of Ed Hardy and '80s-era Tony Scott.

As the imperiled lovers, Roshan and Mori provide a lot of empty attractiveness, but always seem to be going through the motions of a romance that was defined more by movie formulas than actual interest in one another. But even their sex appeal has been largely neutered: apart from one scene where they show off their respective physiques, there's only one actual kiss in the film, and a scene of consummation is edited so obliquely that it plays as all build-up with no payoff. That both of the actors do more acting with their mouths than any other part of their bodies only further highlights the bottomless shallows of the cast's pool of talent.

Read More HERE

May 25, 2010

"I have always tried to push the boundaries and that is why we made Kites." - Hrithik

Kites will not soar but Hrithik Roshan continues to fly high.


Hrithik Roshan defended his latest release Kites during his Calcutta trip on Monday. He didn’t sound too happy with the reviews in India but he did agree to take a few questions inside Auditorium 2 at INOX (City Centre Salt Lake). He also answered a couple of questions only for t2.

Do you think you have failed your audience?
Because of my past success, people are coming to watch Kites with strings attached. I am an artiste. I have to explore. I have to do different things. Some people asked me whether I would go back to doing typical films. What they are actually saying is that Kites is not a typical film, which is a good sign. Some will resist change, some will accept change. We are all proud of the film.

Did too much hype kill Kites? Especially because you are coming after two years...
I don’t know why people are making me feel that I have been away for ages. It’s been two years but it’s not taken two years to make Kites. People are under the impression that I have been into Kites for the last two years. But no, I have made two films during this time period and I have also recovered from six months of very tortuous pain from my knee injury. I couldn’t walk and I couldn’t do a lot of things. That’s where my time has gone and in spite of that I have done Kites and Guzaarish (Sanjay Leela Bhansali’s film opposite Aishwarya Rai). And that should come out very soon, in two-four months. So there won’t be that long a gap after Kites.

In hindsight should you have played safe and gone for a more massy film?
When I did Koi… Mil Gaya with my father, everyone said that it will go against your action image. How can you play a mentally challenged person when three of your films haven’t worked? But I did it at that time. Then they said that a superhero film with mask and cape will not work in India. That worked. I have always tried to push the boundaries and that is why we made Kites.

Compared to other superstars you are elusive. Is that a conscious strategy?
I think every individual needs to be his own person and you have to find the person you are. I might be a bit more shy than the other stars. That’s all. I don’t feel the need to be in the news for no apparent reason, for no logical reason. Just to push the image of a superstar, which I don’t consider myself to be and I don’t identify with one.

What was it like working with Barbara Mori?
Working with Barbara was absolutely fabulous. She is such an honest actor, so true to herself and so dedicated and passionate. She gave us the right impetus and the right push so that we could attempt something as honest as Kites. The film wouldn’t have been possible without her.

Did you help her adjust to the Bollywood scheme of things?
I helped Barbara whichever way I could. We were playing hosts and we were all welcoming her to our country and showing her the way India can love. That is why I am a little sad about the way the press has written wrong stories about her. But again it’s about individuals and not everyone.

Why did you get mad at the media at Shirdi?
It was not the media. One shouldn’t generalise. It was about five people who went beyond any reasoning. I tried my best to reason with them. See, we shut our eyes when we pray. Why do we do that? Because we want to put a stop to the world and just connect with god. I wanted my wife and my mother to get that privacy. So I requested that please don’t enter the shrine… you have been following us for half an hour and that’s okay but please don’t enter the shrine. Give us 35 seconds and then we will come outside and I will talk to you. But they didn’t listen to me. What do you do?

You also turned playback singer with Kites? How did that go?
I am very scared to say this but I enjoyed singing a lot. Of course, I am not a professional singer and neither is my character. What Anurag had said to me made sense to me. He said it didn’t matter if you sang it well or you didn’t, it was about being honest to the moment. About keeping it real. Even if you sing badly, it would look sweet. The whole attempt of the film was to keep it real.

May 24, 2010

Hrithik's Troika ?







May 8, 2010

Hrithik Loses his cool, man-handles journalists at Shirdi shrine






Post-kerfuffle, here is what he had to say:

Actor Hrithik Roshan, who visited Shirdi today, said he lost his cool with media persons because they tried to invade his privacy.

Media alleged that the actor behaved roughly with them when they tried to shoot his pictures at Shirdi.

"I can't believe they (media) can now enter gods shrine for TRP. Polite words requesting them were ignored. It took efforts to pray with 30 media cameras feeding off every private moment," Hritihik said after the incident.

"Right now I am trying to forgive myself for losing my cool but I guess when it comes to family any man would do the same," Hrithik said.

The actor whose film Kites is scheduled for release, said he visited Shirdi this morning as per the tradition of the Roshan family to visit Shirdi before release of every film of theirs.

Hrithik was accompanied by father Rakesh Roshan, mother Pinky Roshan and wife Suzanne.

The actor said he felt vulnerable as an actor for the first time in his life but wished he had kept his anger in check.

"For the first time in 10 years as an actor, today I felt my privacy being invaded. What they did was wrong. But I wish I could've risen above and given them all a big hug...," the actor said.


Read more at LINK

April 26, 2010

Hrithik Roshan signs Shekhar Kapur's Paani!




Here we have it straight from as close to the horse's mouth as it can get!

sussannekroshan

Sending indiviul replies vvvveryy hard..so will ans all qs in my general tweets..yes my son hridaan turns 2 on may 1st..H has signed paani..
half a minute ago via UberTwitter

As per reports AR Rahman is doping the music and Shekhar is in talks with the Twilight actress:

Kristen Stewart fr Paani: ppl jumpng to conclusions, she's terrific n lv her, bt we have had just 1 conv so far
about 1 hour ago via web

April 8, 2010

Kites new promo - Tum Bhi Ho Wahi




IPL must be nearing a close, it is raining promos now! This one has cool visuals, very slick, but does no one else think that Mori and Hrithik are showing too much "teeth" in every smile?