Ishqiya - A fun watch

Like other Vishal Bhardwaj films, Ishqiya too is a very bold film. No surprise, as it is directed by Abhishek Chaubey who used to assist Vishal Bhardwaj in his earlier films. Set in the rural areas of UP, near the border of UP- Nepal, it hardly shows any good thing about UP. Instead UP is shown as a state where most of the criminal and terrorist activities take place like manufacturing guns and selling them.

The narrative of the film is based on multiple story lines coming together in the end. We see two thieves played by Naseeruddin Shah and Arshad Warsi trying to escape their boss after stealing money. They take asylum in Vidya Balan’s home, she is a widow after her husband died in a fire explosion in their house. Both Naseeruddin Shah and Arshad Warsi fall in love with Vidya Balan. But their boss finds them and to add to their problems, the money too is stolen. Vidya Balan then proposes a plan where they can steal money from a rich person by kidnapping him. And both of them are left with no option but to accept the plan because of their problem and love for Vidya Balan. Once they agree to the plan, the entire thing showed prior to it becomes a MacGuffin. What is a MacGuffin? –

A MacGuffin (sometimes McGuffin) is “a plot element that catches the viewers’ attention or drives the plot of a work of fiction.”
Sometimes, the specific nature of the MacGuffin is not important to the plot such that anything that serves as a motivation serves its purpose. The MacGuffin can sometimes be ambiguous, completely undefined, generic or left open to interpretation.
The MacGuffin is common in films, especially thrillers. Commonly, though not always, the MacGuffin is the central focus of the film in the first act, and later declines in importance as the struggles and motivations of characters play out. Sometimes the MacGuffin is even forgotten by the end of the film.

It is very much similar to Psycho directed by Alfred Hitchcock where a girl steals money and tries to run away from the boss, but that is hardly something to do with the basic plot of the film. Similarly in Ishqiya, the two thieves running with the money has hardly anything to do with basic plot.

The problem in Ishqiya is that the plot of the film was very paper thin and is based on one word – ‘TWIST’. The entire film is constructed around that very word. Of course, I can’t reveal the twist here as it would spoil the film for those who haven’t seen it yet. Although a few smart things, like the old woman with a fire torch and every room having a cylinder, that are very significant in the end were added in the film, but overall the plot wasn’t very well handled and I felt the director should have made more effort in developing the plot if twist was the word Abhishek Chaubey had in his mind.

Set in a rural background like Omkara, Ishqiya is yet another very bold film from Vishal Bharadwaj’s camp. Though it isn’t directed by Vishal Bharadwaj, Abhishek Chaubey ensures that just like Vishal Bharadwaj, even Ishqiya doesn’t make any compromise in the language or the scenes to make it a family watch commercial film. However, this time unlike Omkara, the cusswords are added to the film for the purpose of comedy rather than them actually suiting the film and the situations. In Omkara, the abusive words sounded apt according to the situations, but here in Ishqiya, we see them just to add the shock value to the film. It was slightly disappointing to see that happen. But the film had some genuinely good funny moments apart from the abusive humor which they relied on a lot.

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